21st of July 1897


Editorial

To truly know oneself is a chore. An identity is something to be discovered, built up over decades, found in the gutter of one’s subconscious. It is tiresome, it is messy, it is a dive deep into one’s psyche. To truly know oneself is a curse and a blessing; to reach such a point is a journey few dare to fully undertake.

What makes an identity? Views, opinions, favourite flavours of cake; who you love and how you love them, the way you let the world see you. It is a daring act, to express oneself. Foolish, some might say, in a world that is not kind to the different. It is a sort of performance art in itself, to be so daring. For one’s body to be the canvas upon which they paint their identity, as if to tell the world: Judge my every move, for I can take critique with a smile and criticism with a fist.

Do not be afraid of those who reveal their wings, London; be afraid of those who would rather hide them from you, as they are the ones with evil written upon them.

Like a rubbery emerging from sea foam, embrace your self.


Art of London

House of Troubles, Part III
by Tuesday Next

A few minutes later, Eli walked out of the club, his smile at the rush of quiet and cold air only intensified when he saw his friend standing on the sidewalk.
“Took you long enough to get out here,” Martin said, “I was afraid you’d gone back to your adoring public and forgotten about me.”
“Nah,” Eli shook his head, a stray droplet of water falling from his hair, “I needed a break from the adoring public.” He wore a hoodie over his shirt, although the tight black pants he’d worn on stage were still there. He had tried to wash his stage makeup off, but the combination of his hurry and the low water pressure of the sinks in the club’s bathroom meant he was left with limited success. What had once been a vivid orange and purple butterfly was now a collection of smears around his face. He looked a mess, but hopefully no one would recognize The Madgod based on just a few smears.
“So, did you drive here?” Eli asked, looking around the street as if expecting a car to just pop up. Martin laughed and said, “With how awful parking is around here? No, I just took an Uber. Anyway,” he added, “you wanna get something to eat? According to Google, there’s a 24-hour diner nearby, and I could really go for something cheap and greasy.”
“That sounds fucking perfect,” Eli answered enthusiastically. It wasn’t quite the adventure he was expecting, but it was the journey, not the destination—even if the destination still sounded really appealing. Cheap, greasy food in the middle of the night with Martin? They hadn’t done something like this since high school, when they were too young to even act like they knew what they were doing. He could think of no better oasis.
“Great.” Martin tapped his phone screen a few times, “looks like it’s within walking distance, if you’re up for it.”
“Works for me. Legs could use a good stretching.” In the early days of the band, his legs would almost give out after a performance, leaving him held up by adrenaline and little else. Nowadays, he could manage it easily and even preferred walking around afterwards, “Which way?” he asked, beginning to move in the direction Martin indicated.
“So,” Eli said after they were moving in the right direction, “How’ve you been? It feels like it’s been a lifetime since we talked.” In a way, it had.
“I’m doing pretty well,” Martin answered, “Finished my Masters last year, right now I’m part-timing at a museum while I try to find someone who’ll hire me for something more substantial. How about you?”
Tired. Burnt out. Not sure if I can keep doing this. Eli thought.
“Fine,” Eli said, “Band’s doing well.”
“I could tell. They really seemed to like you up there. I don’t really do the whole metal thing, but that coworker who told me about the show? He just about exploded when I told him that I know you…” As they kept up conversation about the present, exchanging anecdotes about their daily lives, Eli felt his lips curving upward and settling into a resting smile. He liked the other members of the band. They’d never felt like family, but they harmonized as people as well as musicians, and he couldn’t see himself anywhere but onstage with them for as long as he could manage. But he didn’t have the same history with them that he had with Martin. They didn’t have the same inside jokes, the same shared experiences, and he couldn’t separate interacting with them from the exhaustion of being in the band like he was now. But then Martin had to ruin it.
“So, how’s Marina doing?” Martin asked, “I haven’t seen her since your mom’s funeral.” Eli almost stopped in his tracks. Why, of all things, did Martin have to bring that up? The one thing about home he’d been trying very hard to not think about, and he just throws it out into the open.
“She’s fine, I guess,” he said after a moment, once he could make himself walk again, “We haven’t talked in a while.”
“Since the funeral?”
“Yeah. Since the funeral.” He’d barely been able to look at his sister after they’d seen pictures of the drunk driver that had hit their mother, the man’s House of Troubles T-shirt still visible in the mugshot.
“You haven’t talked to her since then? Why not?”
Because Mom was killed by one of my fans.
“Dunno. Too busy with band stuff, I guess.”
“Oh.” Martin half-nodded, “I guess that would explain why you left so soon after the funeral too.”
“Yep,” Eli said quickly, then pointed at a dimly lit neon sign up ahead of them as eagerly as if he was actually hungry, “Oh hey, This must be the diner. Let’s go on in.” Hopefully Martin would take the hint. He wanted to chat, to take a break from being tired and upset, not become more of both.


News of Art, Art of News

Mayoral Election 1897 – Popularity Votes Coming Through!

Dear London – thank you all for voting! The results of our Gazette’s popularity vote are in:

Among yourselves, you have decided that the most attractive of candidates is Virginia, with Mrs Plenty just behind, and Madame Shoshana hanging lower yet.

We at the Gazette, of course, aim to remain sideless, though we cannot forgive ourselves a few stray comments.
It is peculiar for a devil to be making such headway, though we believe this simply shows London’s progressive nature, even a desire to purify London, as Virginia plans to do.
The second and third place, of course, are not to be taken as losers – opinions could change as easily as hats! Mrs Plenty has a bold (if unknown) plan for London, and Madame Shoshana plans to be a saving grace to us all. The policies of all candidates are so far unknown at best, maybe more so to the investigative sorts.

It is, as we see it, anyone’s game, London!

Alas, this little poll is only for the pleasures of our speculative readers! The real voting begins – today! Off to the polls, London, for it is our civic duty!


Ask Mother Goose

Dear Mother Goose,
Will rest ever come?


Dear Cornered,
After many tired nights.

14th of July 1897


Editorial

It is important to enjoy the little things. Listen to the wind’s whistle, observe the snail slowly slime, caress a flower’s gentle petals.
It can be a dreary world in the Neath. You might wish for the sunlight of the surface. Or you might enjoy the darkness. There are stances to be had, of course, but also a reality to face. It is dark, damp, cold, bitter. Yet it is ours.

Look at the glimmering side of life, London. The one showing you treasures, wonders, niceties, and joy. Hold the hand of those you love. Smile from ear to ear. Emotions fuel our art, and happiness creates the most beautiful art of all.

Do not be afraid to dream. Do not be afraid to be happy. Damned be all those who shun us for our joy, for they themselves lack it. Do not be afraid.

There is art everywhere in the world around us.


Art of London

House of Troubles, Part II
by Tuesday Next

The club was crowded, loud, and already full of the smell of alcohol and sweat. Eli had been in what felt like hundreds of places like this over the past few years, but this one was different. It wasn’t anything to do with the music or the decor and everything to do with who was there. He’d been watching the door as much as he could after the concert, and as far as he could tell, Martin had yet to leave. All he had to do now was find one man in a crowd of people, most if not all of them his fans. Easy, right?
Eli pushed through the crowd, straining to see if he could find that familiar face, when he felt a hand on his shoulder. He turned around, hoping, only to be met with a young woman, bright red hair hanging about her face.
“Hey,” she shouted over the music, “You’re him! You’re the Madgod, right?” She took his silent half-nod as confirmation–he supposed his face was that recognizable, especially with the butterfly–and continued, “Man, I’m, like, your biggest fan. ‘Mad, Bad, and Dangerous to Know’ totally changed my life. Can I get a selfie with you?” It was all Eli could do to keep from sighing. Yes, he’d wanted this life once, but now, after so many late nights and hearing the same fannish statements over and over again, it was getting stale. Eli put on his ‘smiling for the fans’ face and positioned himself next to the young woman long enough for her to pull out her phone. However, just as she was about to snap the picture, Eli finally saw Martin walking by.
“Sorry!” he said to the woman, “I have to go. There’s someone I’m supposed to meet…” It was only halfway a lie. He dashed off, leaving the fan with a blurred image of her idol, and chased after the familiar man. This time it was Eli’s turn to put a hand on someone else’s shoulder.
“Martin?” he asked, “That is you, right?” For a split second, he had a sudden doubt. What if he had been wrong? What if this was just someone who looked like his old friend? But his fears were abated as soon as the other man turned around, smiling. It was definitely him.
“Eli Bereth,” Martin said with a smile, “It’s good to see you again.”
“Why’re you here?” Eli asked. He vaguely remembered a conversation where Martin mentioned that he lived in this area, but that didn’t explain how he’d heard about the concert. The only advertising had been on the band’s social media, and far as Eli knew, The House of Troubles wasn’t exactly the sort of music that his friend usually listened to.
“One of my coworkers is a fan of yours,” Martin answered, “he told me about this show when I mentioned I knew you, and I thought I’d try to catch up.” Right at that moment, someone backed into Martin, almost sending him smack into Eli.
“Sorry!” the person yelled, then they looked at Eli, recognition dawning on their face. Eli called, “C’mon,” to Martin and walked away, to a different area of the club. The fans were inescapable, it seemed.
“This isn’t the best place for talking, is it?” Martin commented, “C’mon, let’s go somewhere else. I can’t hear myself think in places like this.” Eli, who was used to not being able to hear himself think, nodded. It was an impulsive decision, sure, and really he should’ve stayed at the club, but what was life without adventure? God knows he needed a moment of escape.
“Go ahead,” he told Martin, “I’m gonna get this shit off my face.” It would take a moment, but it’d be infinitely more convenient to go out without the butterfly. Besides, for the rest of the night, he was going to be Eli, not the Madgod.


News of Art, Art of News

Mayoral Elections Are Upon Us – Candidates Revealed! Vote For Change!


The Mayoral Elections are here once again, dear London! We now know all of our candidates; the business woman, Mrs Plenty; the deviless scholar, Virginia; the famed medium, Madame Shoshana. We at the Gazette are excited beyond belief to report on the on goings of the election. While we do plan on staying apolitical, we also believe that engaging in your local government is one of the most important a citizen can attend to. Vote for change you want to see, London! Vote for what you think is best.
From our point of view, all the candidates are known lovers of art, thus the choice indeed boils down to policies. Let us see what sorts of campaigns they will lead!
As the elections are only starting, we at the Gazette are running a popularity poll. Vote for your favoured candidate! The results shall be published with the next edition!

Please, vote!


Ask Mother Goose

Dear Mother Goose,
I feel as if in a web I have spun for myself.


Dear Cornered,
We catch ourselves in the strangest things. It is then up to us to create a way out. As slow as it may be.

7th of July 1897


Editorial

It is easy to be overwhelmed. By the good, by the bad, by the bland. Overabundance is the true poison; just like not even cyanide can kill in minute doses, and honey will bring a slow death if consumed by the gallons. It is never good to ride a tide so long – one is bound to fall.

The mind, of course, if unused to a sensation. has a harder time processing and accepting it. That much may be ruinous, in a way, to begin the process of change. Yet it is always upon us to find balance, to bring an equivalence to our life. The aforementioned process, after all, has a benefit to it. Once the tides change, the impact is all the sweeter, more bitter, blander. It is the impact of the flavour that brings true feeling.

Do not be afraid of what is to come. Embrace it, with your whole heart, and let the future bring forth more courses.


Art of London

House of Troubles, Part I
by Tuesday Next

They were halfway through their second set when Eli saw Martin in the crowd. It was a miracle he could see that much of the crowd at all–the stage lights in the inner-city club were less blinding than usual, although they were still hot enough that he felt like his makeup should be melting off. Lights like that were a side effect of doing a secret show, he figured–and not that long ago that it seemed like all their shows had been secret. Now crowds of people showed up to see them, singing along, wearing their T-shirts and painting their faces in an attempt to match the band’s elaborate makeup. The House of Troubles was just over the edge of success. They weren’t one of the big names (yet, some would say), but they opened for them enough times to be recognizable.
Eli strode across the stage, half-singing, half-yelling the well-practiced lyrics into the microphone as the crowd whooped. This wasn’t exactly planned—normally he and Doug would yell into each others’ faces during the tag of this particular song—but he had to get a better look at the crowd, make sure the face he saw was really who he thought it was. Besides, the crowd, at least, would forgive him a little change in behavior. He was supposed to be the Madgod, right? And how could he claim that name, that persona, if he didn’t break the rules once in a while? Never mind the fact that he was starting to have to hold back flinches when fans called him that. He could still use the persona as an excuse if he wanted to.
It was him. The lighting was bad, and they hadn’t seen each other in years, but Eli could never forget Martin’s face. He’d seen it often enough, first in second grade, then almost daily until high school graduation. Of course, he usually associated that face with his sister’s, as the three of them had been practically inseparable for most of their young lives, but mercifully, he only saw Martin, not Marina. At that point, Eli made up his mind. He had to track Martin down after the concert, just to talk to him. Maybe meeting with someone who knew him before the Madgod and the House of Troubles would help with how he’d been feeling recently. At that moment, Martin looked up, not yelling, not singing, just looking. Their eyes met, and someone looking close enough may have been able to see past the butterfly wings painted on Eli’s face and realize just how tired the Madgod looked.


News of Art, Art of News

Ravemeo and Doviette – The First All-Bird Play Takes The Mahogany Stage

A new production of the Bard’s immortal “Romeo and Juliette” has just appeared at Mahogany Hall, having already premiered earlier this week. This production is curious, however, for its unusual casting – all the actors are rather well-trained birds.
In the role of Ravemeo is, of course, a raven. This bird fit the character simply perfectly, the rash and violent nature of the main character combined with the black brooding of love.
Doviette, played by a bleeding-heart dove, was another wonderful role. The gentleness of the young maiden, as well as slight rebellion of her actions, and, of course, the final death have all been beautifully portrayed. The origin of this actress is, despite our best efforts, still unknown.
The rest of the cast was suitable, though largely unremarkable, consisting of the common crows, ravens, and surface parrots of the Neath. For birds, however, the acting was exquisite. The ravens’ and the parrots’ mimicry of sound came in handy, and Doviette’s lines were, even if not in human language, frankly tear-inducing in their delivery.

No bird-related accidents were present during the play, either, and a pack of swift and silent Rattus Faber cleaners were employed to rid the stage of any potential white spots, a job which they had done with welcome expertise.

Overall, the production was a success, and we at the Gazette are looking forward to further adaptations (or original works) by this troupe.


Ask Mother Goose

Dear Mother Goose,
I do not want to let her go. I do not know if she wants to let me go. I feel afraid
Cornered


Dear Cornered,
It is not up to us to choose. Everyone is their own beast.

30th of June 1897


Editorial

Home is a nebulous thing. It resides only within the mind, one could argue, even if we connect the word to a place as we so often do. Yet home can stretch to horizons of various sizes. A home can be a town. A home is often a room within a house – or the house itself. A home can be as vast as a country. A home can be the Neath, if one ventures to the surface for a while.

Is a home the place of our origin? The one at which we live now? How many homes can a person truly have?

The qualities of home:
Safety
A warm meal
A lockbox full of secrets.

The romantically inclined so often ascribe the qualities of home to people. I myself am prone to agree; home is where the heart is, as they say.

It is everyone’s hope to have a home, one day. It is my hope that it is what everyone shall have.


Art of London

We present to you works of contemporary modern art from two readers of our Gazette.

A bold piece by Plurnes.

“The L________n of N___t”

A work by an anonymous artist, with a critical analysis of the very Johnattan Hoppskotch.

“SHEEP”

The work “SHEEP” is a deep and meaningful satirical statistical parody on the current state of art, politics, and agriculture.
On the surface level a obvious parodic analogy emerges, the darkness surrounding the sheep represents the darkness of the Neath while the almost brightness of the sheep represents the light of art and journalism; I believe this is why the artist chose a sheep and not a cow or a pig – cows would be hard to draw in the background of the piece and pigs are considered to be a criticism of authority because more wealthy people tend to eat pigs more.
However when the work is studied and carefully observed deeper truths emerge, the style is very similar to that of what First City art is speculated to look like according to my academic associates, and the darkness surrounding it represents the lack of civilization at those times. This leaves us with an even deeper question. What does the sheep represent? I intended to ask the artist only to learn that he is apparently in prison, the Tomb Colonies, dead, and might have not legally existed in the first place.
So in my opinion the piece is meant to be interpreted by the observer as they see fit. Do tell me what you think of its meanings and send monetary incentives to 34 Takepenny Street.
– Johnattan Hoppskotch


News of Art, Art of News

The Art of Devils – Baroque, Indulgence, Needlework

The devils, an enigmatic presence not liked by all, yet now such an integral part of life down in London. They keep their gates locked to those not at least tolerant of their presence, though, naturally, we have seized an opportunity to explore their artwork in-depth.

Devilish art is as one would expect; it is a thing of grandiose, artwork with make and content of epic proportions. Devils do love their visual art, covering whole walls with them, or even ceilings. The anti-church has to be complimented – their love for such art matches in scale even the grand temples of worship of the Christian church.

An interesting factor of the devilish art are, however, their intriguing tapestries. Woven of the finest sorrow-spider silk, sewn with the most minute of needles, sharp enough to pierce a hair. This art does not lack in grandiosity, though it’s breathtaking factor is in the craftsmanship itself. One’s mind is sure to be enamoured, bewildered, boggled.

We do recommend admiring a devil’s tapestry with a spoon of honey.


Ask Mother Goose

Dear Mother Goose,
What is work if not hell?
Questioning


Dear Questioning,
Joy.

23rd of June 1897


Editorial

If you love something, let it go, as they say. This applies to people, of course, though pets as well, to an extent, even opportunities, or items. It is against our nature, in a way, to let things go. There are ways to cope, of course. Close your eyes, pretend it never had been in the first place. What the mind no longer considers the heart cannot hurt. What the eyes cannot see could possibly be only misplaced. Waiting for you, perhaps, at your doorstep, at your aunt’s house, propped against the clock as if counting the minutes until you reunite once more. One may fear opening the door, knowing in the back of one’s mind that the fantasy will not become reality.

It is, of course, ridiculous to think that the world revolves around one’s needs. It is equally ridiculous to think that no part of the world revolves around them. It is simply preposterous to think there is no care for a particular thing, or a person, a feeling, or a position. Where there exists possibility there exists want, and care. People have a lot of care, after all, and the need to put it somewhere, to utilize it. To cherish, to protect, to raise and see grow. To teach, and to learn.

To love something, truly, is to be able to let it go, to give hold to that primal instinct, and to trust that, if it is meant to be, you shall be reunited once again.


Art of London

Artwork of Idelia Lockwood
In a special edition today we bring you the paintings of one artist going by the pseudonym Galvatyr (do press onto the name, will you?).


News of Art, Art of News

Mahogany Magician’s Act Goes Awry, Audience Evacuated

During last Saturday’s performance of an illusionist (whose name we shall omit, for the sake of discretion) there had been quite the unexpected and unfortunate twist. Whilst most of the show went by without a hitch, the Illusionist able to pull wonders out of their sleeves and bewilder minds with ease, the last act, consisting of mirrors, deadly pendulums, and audience interaction, went horridly wrong.

It started quite usual – a few volunteers, the contraption had been set, the Illusionist strapped to a chair. The mirrors were prepared, the performer reciting his speech, instructing the brave volunteers. The illusion began, and then, in a short moment, everything went horribly wrong. One of the volunteers, just a little too close to their mirror, stood there, missing their cue. In a short moment a maelstrom of misfortune swept through the stage. The control of pendulums was lost almost immediately, the doves fluttered into the air, the Illusionist was decapitated. The audience, fortunately, was ushered towards the exits in haste and none of the seated folk were injured. Besides the Illusionist, who is now in the process of recovery, the volunteers and assistants were all only injured. The one who had caused this accident, however, had disappeared, though our sources say they had been seen entering the Labyrinth of Tigers accompanied by several cats.

This short surge of excitement has, of course, not impeded the good spirits of the audience nor the Hall management, and all shows shall continue as normal. Investigations of the causes are in progress.


Ask Mother Goose

Dear Mother Goose,
How to contain one’s feelings?
Brooding


Dear Brooding,
Yelling at the zee always helps.

16th of June 1897


Editorial

Nothing lasts forever. Things come to an end. It is the natural way of things. Life, death. Creation, destruction. Beginning, end.
It has been an immense pleasure to publish Letters from the Surface, all the way until the story’s completion – today. We bid farewell to this tale, though, most hopefully, not to Sir Wensleydale, the author.

Though we are sad to see the story go, we are eager to work with Sir Wensleydale in further endeavours, new stories, open reaches. The story had truly been a beacon of light for the Gazette, and, hopefully, fun and an inspiration for our readers.

Without further ado, let us commence this week’s edition.

Still, you have been a beacon of light for this small paper. To many great stories to come, to inspiration, to art.


Art of London

Letters from the Surface: Part XVI
Penning a Letter
By Sir Wensleydale of Hardwick

I wrote a letter, up to one of England’s colonies. It went like this:

“To Anyone This Concerns-
London is a hub of intrigues. All scandals that you hear of are true. People go mad in pursuit of knowledge. The Empress has lost most legal power, and her replacements have plots against each other. Many speak of revolution, but said revolution is worse for the common man.
It is also an opportunity for wealth. My venture down here has become more of a permanent residence, and I have been in pursuit of a diamond that is not a diamond. Art is also flourishing.
Write to the papers! Tell them stories of the Fallen city of London, and it’s predecessors! And yes, it has predecessors!

Professor Wensleydale of Hardwick”

Persuasive has not increased from 200.
Making Waves has increased to 25!
You’ve gained 10*Influence(new total 43)
An occurrence! Your “Letters from the Surface” quality is now 50- Master of Communications!
An occurrence! Your “Spider in the Web” quality is now 1-Honest!
A Defender of Truth is increasing…
An occurrence! Suspicion is now 15- Imprisoned!
An occurrence! Scandal is now 15- UNTHINKABLE!

The papers devoured this letter. Constables from the surface began showing up. I’d seen this intrigue through.


News of Art, Art of News

A Celebrated Artist of the Surface Arrives in London This October

In the latest piece of art news, we have a tasty treat for loves of music, especially violins. A celebrated violinist of the surface, certain V______ M__ shall arrive to our very London this mid-October to grace us with her wonderous music.

We know, of course, that the lady cannot stick around for long. Her all-round trip shall take only a day, a few hours of which will be dedicated to her performance. Do make sure to grab your tickets, London….

…but, of course, just that wouldn’t do for our Gazette! We are giving out tickets to front seats in a contest of sorts. The details can be found in the middle-page spread.

Besides seats, a stand-in area shall be open to the public – once again, courtesy of our very Gazette! We had to pull some strings to make it happen, London, we are sure you will appreciate.


Ask Mother Goose

Dear Mother Goose,
What if I lose her?
Denial


Dear Denial,
Place your trust in the right place.

9th of June 1897


Editorial

I was never one to forego a purpose. There is a meaning to life, after all – must be. So hard to find, of course. No matter, once found, it must be latched onto like a lifeboat. It is what I did, devoted myself to my meaning, my purpose.
Art is a purpose, in a way. News are a purpose. I am not going to pretend, however, that it is so ultimate and necessary to my life.

I have found a meaning in others, helping and reminding and guiding. It was my purpose from the day I was born, now I know. Though I may have signed away at a later age, I was always destined for, well, at least something like this. My happiness, I truly believe, comes from the happiness of others. It is only through my actions bringing the well-being of others that I can truly bring forth my purpose.

Meaning, of course, is not a one-time goal. It is not something you achieve easily and then die happily. It is eternal. It encompasses your life. It guides your every step. It follows you throughout, it is something you must adhere to, and something that you do adhere to, without even realizing it. It is the work of destiny that brings forth your decisions. We may be free to create our own, yes, but still we act towards this very purpose.

For one, I am very content with my purpose. I embrace it. I live and love for it.

For another, I am so terribly sorry, dear Rebeka.


Art of London

Letters from the Surface: Part XV
Casing the Remains
By Sir Wensleydale of Hardwick

Fires was a fool to leave me alive. Now I can wreck it’s plans.
I remember what Vaughan said to me. Clarabelle was in love with the Orphanage, because of a Moon-Miser.
The moon-miser… Was my endgame- is my endgame.

I stroll through Spite, and see the remains of an old building. The Orphanage itself.
No one was left alive, but the Special Constables remain alert. Time to be one with the shadows.

A plan forms, in the back of my mind. But for ethics’ sake, I must cash in favors.

The urchins are willing to spread my good name through the Flit. Now I can analyze the Orphanage from all angles, with the help of some escapees.
This opportunity is mine, and mine alone.

An occurrence! Your “Letters from the Surface” quality is now 15!
Casing shows your progress in the venture.
You’ve lost 1* Favors:Urchins(new total 0)
You now have 1*Favors:Criminals


News of Art, Art of News

A Rubbery Lack of Artform

Through an anonymous, trustworthy source, news of the Rubberies living on Flute Street have reached the ears of our Gazette’s reporters. Most important for us, of course, was the art – though what we have found was surprising.

There are, of course, past experiences with Rubberies as artists, albeit under the supervision of a human. They are joyous and yearnful musicians, ecstatic to express themselves, yet in the depths under London, where Flute Street and its residents exist, there is an alarming lack of art.

Truly, despite the beauty of the amber streets, the Rubberies seem to not have any way of expression of their own. A few theories we have are, of course: oppression, lack of imagination, fear.

Further investigation is required, and shall be reported upon.


Ask Mother Goose

Dear Mother Goose,
Is it right to feel this way? Is it not indulgence in itself?
Special


Dear Special,
Do not be afraid of your feelings. Examine them further. There is truth to be found among the grain. Indulgence need not be incorrect. Remember your calling.

2nd of June 1897


Editorial

Change is a part of our existence. We change, constantly. Every second, our very bodies change and rearrange. Time and space changes and bends and fluxes. Each moment, one’s whole life could turn over for good. In many moments, it will.
Sometimes, change is oddly subtle. A small shift in the paradigm. Barely noticeable yet so uncomfortable for its strangeness. Such change likes to travel in packs to completely turn a life around. Seemingly unrelated events can lead to an enormous change. One moment, there is status quo, the other, chaos. One moment there is the comfort of the routine, the other, the taste of adventure.

Welcome change into your life. It is what fills our life, drives it, gives us a reason to continue. The very promise of a better tomorrow. The very fear of a dark future.

It is what gives us life.


Art of London

A Lie and a Truth
by Chronic Dreamer

A farmer lived simple, his world right and tranquil
No one ‘ere did bother, none cared cause hassle
He tended to his land, few else could matter
Until came she, the witch of lies, wanderer Fos Tanther

Noble farmer ask she, her voice alluring and queer
Would you spare home, my body aches from tour
Bow does the farmer, in agreeance he leads her the way
Little to their knowledge, both hearts would be entwined

I must tell you this, for it is quite dire
How you appear here one day, unaided and without means
My door is ever open, no one shall I rebuff
But I have naught to offer, scant nourishment of muff

‘Tis fine for a roof, I needn’t much else
Could you be a dear, and tell me your wealth
Your farm is so lively, and your appearance quite fetching
‘Tis little to wonder, what spell you have to tie me here

Your flattery’s too kind, others think elsewise
Though you must be mistaken, neither farm nor I are lookers
A temptress I assume thee, despite I let stay
As I have said, I shall turn none away

His sight touched her heart, truth in tongue as well as thought
Her beguilement did not pass, enchantment held no sway
This man did yet keep her, honesty to fault
Her myriad of tricks yielded no fruit, her soul saut part

The night did roll in, a spark of passion then grew
These two became one, a lie coaxed in by truth
In tune with their clash, their hearts quite wavered
Neither could ever change, natures stout ‘ner tapered

In all of their difference, they managed to keep together
A farmer’s small home, Fos Tanther laid claim
None could trouble him, no one dare enter
A secret affair by two so stark, no one would think, not even those brought

Love is a string, binding even those who differ profound
Blind shan’t foresee who they might covet, they’re open to all
Let these words make lesson, to all who are willing
Yet whomst turn down, equal a villain


News of Art, Art of News

The Interpreter Of Dreams Takes London By A Storm

We all have been plagued by dreams. Many an artist have taken inspiration from dreams, honey or subconscious. What to make of dreams, however? What meaning to infer from nightmares?
The famous Dr. Scholmo has studied dreams, psychology, Correspondence, and the Neath itself for a long time in pursuit of revealing the meaning of dreams. We at the Gazette have visited the Doctor several times. The interpretation ranges from enlightening to bladderdash, of course, however it always brings unique insight into one’s mind. The Doctor succeeds in striking a cord of the human soul, if absolutely by accident. His speeches are, naturally, easily described as art within the field of psychology. He has produced rather fantastic results with his patients, and even though his services are rather prestigious for the common Londoner, we recommend paying him a visit if your nights are plagued by unrest and strange visions.


Ask Mother Goose

Dear Mother Goose,
How to tell him? There is little I can do.
Concerned


Dear Concerned,
It is not always up to you. Bite your tongue. Support. Let the responsible figure it out.

26th of May 1897


Editorial

Sins spread through generations. The sins of our forefathers haunt us to this day. The sins of our offspring bring shame to our graves. What was it all for when the children forsake their parents? What is it for when the parents neglect their children? Hate breeds hate, even through time. Pain brings only more pain. There must be care for the world. Firstmost, care for your kin, as often your kin is the closest of the world. Have respect for those who are dead, care for those who are alive.

Is it wrong to, in kindness, bring pain? To aid in folly? Self-destruction? Mayhaps. Is it folly in itself to cajole one out of harm’s way? Or to join?

Be wary of your actions. Do not bring unnecessary pain. Strive to do good.


Art of London

Letters from the Surface: Part XIV
Vital Information
By Sir Wensleydale of Hardwick

It was two weeks after that, when something new happened. I had been accustomed to prison life at this point, but I learned that one of the Cheery Man’s goons was in prison. Figures.

We met at mid-day to trade information. When I mentioned my adversary, the conversation took a turn for the worse.

“What happened?”

“I am trying to steal a diamond. He thought this was out of spi-“

“THE diamond?”

“Yes.”

“Guess you should be glad you aren’t on Mr Fires’ bad side.”

“How do you know that?”

“If you were, you’d be dead. The Orphanage burned down two days ago.”

Watchful is increasing…
Shadowy has increased to 150- Shrouded in Shadows!
An Occurrence! Your “Letters From the Surface” Quality is now 14!
An Occurrence! Your “Remembering the Orphanage” Quality is now 1-Haunted by Flames!
Your “Counting the Days” Quality has gone!


Starless
by Rowley Ruskin

In this place that is two places, the sea embraces the sky. Beyond the gate you see the infinite night and feel the cold wind of the High Wilderness upon your face. The sky has opened to you.

You allow the Flukes to enter first. That is their right. Their tendrils are restless as they rise. The water crackles with heat. There is a song in the air. A song that threatens to burn. HOME. They sing their wordless chorus. HOME. Their voice shines brighter than the stars. HOME. And then, in a tone that can almost be described as gentle: OUR GRATITUDE.

You watch them disappear into the night. The Neath grows darker in their absence. Your crew breathes a collective sigh of relief as the energies of the Correspondence quiet. Their anxiety disappears with the Flukes. They do not understand.

“Captain.” Your navigator remains restless. “Consider the price.”

You look to the impossible vastness of the heavens, threatening to consume you whole. “A small price, all things considered.”

You give the signal. The sound of the engines is impossibly quiet after the Flukes’ song. Together, you take to the sky and claim your place among the starless nights.


News of Art, Art of News

An interview with a celebrated artist

It is my pleasure, dear readers, to present you with a wonderful and rare opportunity. It is so that our own humble Gazette was a guest of a great contemporary artist of London, one who has already written classics. We were blessed by their presence not only last week, as they have presented us with a story, but also today, as they agreed to a rare interview.

Without further ado, on the centre-page spreadProfessor Reinol von Lorica.


Ask Mother Goose

Dear Mother Goose,
I would love to meet again.
Rayn


Dear Rayn,
Meet me in the depths.

Professor Reinol von Lorica

A Rather Special Interview


Pleased to meet you, Mr. Lorine – or may I call you Reinol?

That’s Professor von Lorica if you must know, but yes, you may call me that.


Of course, Professor.
You have made quite the reputation for yourself with your writings down here in London. What is your muse, your main source of inspiration that lead you to success?

My muse? Well, I suppose you simply have to look into my roots as a Celestial. The long forgotten memories of the world above, the lost sky, the distant seas, the verdant ever green pastures that are out of our reach- those are what inspired me to write. Though I truly found my muse in sleep. When I close my eyes, I dream. I see that which we lost. I envision the planes behind mirrors, the amber skies of the sleep, the false sun of the dream. When I sit down to write, all I do is close my eyes, and imagine these two worlds in my mind…and the stories that could’ve been made


It is dreams what inspires you then – are they ever only pure dreams? Artists are known to utilize Prisoner’s Honey. Is this a technique you have adopted yourself?

Once in the past, I have relied on honey and wine to make art. Now however…I no longer need them to dream. After all, what is honey but a way to aid those who wish to dream? I have no need of such thing, not anymore.


A truly exquisite talent! Many would give much to be achieve this. Do you, however, consider this dangerous? It is a sweet apple to bite from, though offered by a snake.

It is only dangerous to those who bite more than what they could chew. The lords of the mirror can only do so much after all. Dangerous yes…but then again, isn’t everything down here?


Truly, there is little safety in the Neath. It is said that even you began your life down here with a bit of danger. Tell me, if you wouldn’t mind, a little more of your reasons for coming here, and reasons for staying.

Let us say I came here for a reason far more different than as to why I stayed. I came here in search of certain fellow who has escaped my grasp. I stayed to carve my name into history.


A noble goal, one many will consider successful. More to your work – it is cherished all over London. Do you have any regrets concerning your position?

That I’m afraid, implies that I hold remorse as to the methods of how I achieved this position. Which I do not, so no, I have none. Though, I suppose I do wish I had more free time on my hands. My work takes me not only to my writing desk, but to my office at my newspaper, the halls of Parliament, and the theatre-rooms of my rivals!


A man of many talents, of course, always suitably busy. I’m sure all of London is as familiar with your papers, London’s Reflection, as they are with your other works. Your membership in the Parliament, however, might escape the less politically inclined. Would you mind elucidating your position there to our readers?

Ah, yes, I’m glad to see that my less artistic endeavours are known to the public indeed. As for what I do in Parliament…well, my role isn’t much you see. I merely got there through more simpler means rather than by decades of political experience that my fellows have. I suppose you can call me a simple advisor. I do nothing more that to provide advice and suggestions regarding the new laws that are to be pushed forward.


An advisory position, of course. Still, you must have your own opinions on the going-ons in London in the Neath. Not too get too political, or to stray much to far from the topic of art, I must ask, what are your thoughts on the Masters and the Bazaar?

Why yes indeed, I do have many opinions about the current state of London, but I shall spare you the boredom and simply answer your question, and besides, some things are best held close to your chest. I admit, the way the Masters run London is not something that I can whole heartily support. There are many things worthy of complaint, but I believe that with cooperation and negotiations, that can change. No need for riots and revolutions. Through more peaceful and diplomatic methods, our troubles can be easily resolved. While I can make no comment on the Echo Bazaar, I will say that it is a wonder for our Economy. Anyone, as long as they have the skill, can easily climb the ladder, as most of us have.


Well there’s our bit of politics for today, thank you. Back to the art. Our own humble Gazette has been allowed to publish one of your very works. Would you care to tell us something about the work? How it came to be, your feelings towards it?

Ah, that one, yes. Well, let’s just say that’s it’s once again, something I thought of in a dream. I was having a particular fascination with the stars at a time, and so I dreamt of what was beyond. I admit, I do feel that it could be one of my personal favourites. It’s neither great nor classic, but I wrote it for someone else’s sake. And that’s all that matters.


That is what we value most of all; art for the sake of art. The emotion within the piece can be felt upon just a skimming.
What would you consider the best part of your art, Reinol?

The answer is simple. The meaning. The intent. The purpose. For every book I write, for every portrait I paint, for every story I regale, each one has meaning, regardless of the way they are produced. What is art but a way to express our unbidden thoughts and desires? Without meaning, our works are nothing but rubbish scribbled on parchment.


Wise words, so close to home they hit for artists.
Speaking of your various mediums, what is your favourite way to convey your art?

Without a doubt, it is through words and writings. It is how I started my path to notability, and it shall be that way until the end.


One last question – as parting words, what would be your advice for the artists of London, old and new, our dear readers of the Gazette?

Advice…well then. I know that many of London’s artists struggle to make their name in this city. Some, because of a dying muse and the deprivation of inspiration, others because they lose themselves to the temptations of wine and honey. My one piece of advice is this: when you find your pen-hand struggling to fill those pages with blessed words, do not use the freedom of honey-dreams or bouts of drunken frenzy to set your muse alight. No. Do as I once did; close your eyes, and dream of something far more better. Walk out of your homes, look to Zee, and think of the shores so far and away, yet so wondrous and magnificent. Set your eyes upon the Roof and envision the forgotten skies. Gaze to the South and imagine the splendors of the Mountain. Look North, and wonder what lies beyond.

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