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2nd of March 1897


We do not always succeed. We do not always get what we want. We do not always end at a place we expect, or would like. In situations like these, it is important to keep your goal in sight. Do not falter, not for even a second.

In times like these the world may seem hopeless, the end much to far away. It is as if you’re grasping at straws, drowning and unable to save yourself. It might be maddening. It might hurt. Preserve.

Do not be afraid to show emotions, dear readers. They are but fuel for your art – and, truly, what is a better fuel for art than feeling? Burn with rage, glow with joy, radiate disgust and let your sorrow kill light. There is no shame in expression. It is what makes us human and it is something none shall ever take from us.

As the Bard said,
We are all actors and the world is but a stage.

Art of London

Letters From the Surface, Part VI
A Foolish Mistake
by Sir Wensleydale of Hardwick

Eventually, Mr Netae returned to London. I went to their home, at the same time my opponent did.
I remembered a moment that they had deceived me, Mr Netae.
He had just arrived in London. I was badly wounded from a fight in the sparring rings of the hill. He offered help.
I accepted, only to be fatally poisoned.

Mr Netae walked out of their home, ready to go to the University. I stopped them. My opponent chuckled. It seemed that they knew each other, as they began arguing.
One of the Special Constables began to make the rounds. I had to end this.
I took my prison shiv, and shanked both of them. The Constable arrived. He accused me of treason against the Masters of the Bazaar, recognizing Mr Netae and associating us two.
I dismissed these claims, but remained on guard.

This is the intermission of the Letters storyline. This story will return later.

Shadowy is increasing…
Dangerous is increasing…
Heartless has increased to 2!
Steadfast is increasing…
Suspicion has increased to 7-A Desperate Fugitive!
An occurrence! Your “Letters from the Surface” quality is now 6!

The boy who fell in love with a Goddess
By R. J. Frogvarian

That night, the boy worked tirelessly. He took his bed apart, the wood and the sheets becoming a much greater support. The next day again he ventured into the clearing. The crow was there, watching the boy with shining eyes. Strangely, he noticed, the bird seemed smaller than the day before. Shaking the thought away, he got to work. He removed the makeshift supports and tended to the wound, applying various ointments and herbal remedies. He affixed the new supports – they fit quite well. Once again, he placed his prey in front of the bird – this time a fox.
He sat in front of the bird, watching it intently.
“Why were you stuck?” the boy asked. “What had happened to you?”
The bird only cawed and pecked at the fox, still watching the boy. As the crow ate, dusk began again, and it was time to leave.
“I will be back again. I promise,” he said. And it was true.

News of Art, Art of News

What can one learn from the art of the Tomb Colonies?

Shame, disgrace, death itself. There is much wonder to be found within (and on) the bandages of the Tomb Colonies. It is a place of sorrow, but also decadence. What could one learn from the art of such a place?

Well, dear readers, I am sure not few artists of the Neath have ventured into the Colonies before, thus you are no doubt familiar with some of its eccentricities.
The fashion, of course, incorporates bandages quite well, combining them with beige, grey, black, and the occasional white garments.
The poetry is full of melancholy never before seen – and, on the other side of that coin, of passion never forgotten.
From there, the variety diminishes. A few plays from those able of body, though they are rarely more than dry. Books, mostly memoirs.

Then, the Colonies prevail again, in the most early of art forms. The paintings of the Colonists are something beyond exquisite. A picture is worth a thousand words, and these paintings show thousand times more. Pain, sadness, yearning, and all with the simplest of paints – and, sometimes, a few droplets of blood.

Do not be afraid to show such emotion, London!

Ask Mother Goose

Dear Mother Goose,
Why does time seem to never pass in this wretched place?

Dear Desperate,
That is no way to talk of a home. Whether that home is wanted, or even chosen. A home it is. And its quirks it has. It is not up to us to pass Judgement, and it is not up to us to pass time. Time passes – we simply need to accommodate.


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